C’LE CHANTIER : Estelle Henriot

For La bohème, Estelle Henriot attempted to impose herself the functioning of a machine, analysing her work as an artist. After having written down during an entire semester all of her activities in slices of a minimum of 5 minutes, she drew a large format double-entry table that transforms into an abstract fresco, and makes up the artisanal database for her sociological and artistic research.
Every day during C’LE CHANTIER, you can meet the artist at 5 p.m. Other events, like a participative workshop for adults in free access, the launch of a publication project, public interventions, will take place throughout the week.